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BINGE WATCH - Kati Goldstein

English
2017-05-26
โ‚ฌ25.01 โ‚ฌ31.26

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Review Kati Goldstein's Binge Watch is full of whip-smart poems about seeing and being seen. While certain poems reveal the speaker's experience of being photographed, as a girl, by her step-father through her bedroom window, other poems reflect our culture's collective acts of watching--The Real Housewives of Beverly Hills, The Bachelor, Toddlers & Tiaras. Seeing can be a form of consumption, the unconscio ... Full description

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Review Kati Goldstein's Binge Watch is full of whip-smart poems about seeing and being seen. While certain poems reveal the speaker's experience of being photographed, as a girl, by her step-father through her bedroom window, other poems reflect our culture's collective acts of watching--The Real Housewives of Beverly Hills, The Bachelor, Toddlers & Tiaras. Seeing can be a form of consumption, the unconscious binge, but the poems themselves are also acts of seeing, exuberant, redemptive acts. "I literally copy & pasted the whole world," one poem declares. Goldstein's language is charged, electric, alive. This poet's buoyant spirit cannot be dampened. Ultimately the collection invites the reader to look hard enough to partake of "the healing of being awake."-Jane Hilberry, author of Still the Animals EnterIn Kati Goldstein's poems, everyone is watching everyone else. Petty, narcissistic housewives are watched by millions on TV. Teenage girls are watched (and photographed) by stepfathers through bedroom windows. Are we all voyeurs? All exhibitionists? Can life be lived, or merely exploited--for the gaze of others? Goldstein offers no easy answers to the questions these poems pose. But she does accept responsibility for her gaze, and would ask us to do the same.-David Trinidad, author of Notes on a Past LifeHow does a collection that includes a poem titled "After Discovering that My Stepfather has been Photographing Me from Outside My Bedroom Window" contain so much exuberance, so much fragmented joy? This book's honest glee, its quirky erotics, its insistent incorruptibility, is powerhouse--its elations steamroll betrayers, creeps, and pedophiles. "Grow young again, fountain girl," Goldstein writes, and here, young does not mean naive, but unbridled. "OMG is the Moon OK?!" one of her titles asks. The answer is yes, in Kati Goldstein's hands, the moon is OK as hell, and so is poetry.-Diane Seuss, author of Four-Legged Girl About the Author Kati Goldstein is a writer and educator originally from Miami, Florida. She currently lives in Chicago, Illinois where she teaches English composition and literature courses at Wilbur Wright College. In her poetry as well as her classroom, she attempts to create spaces to explore the intersection between trauma and identity. Her work often juxtaposes appropriated text from various sources of pop culture with confessional imagery, as a means of revealing tensions and parallels between our private and increasingly public selves. Kati received her BA in English with a concentration in creative writing from Colorado College and her MFA in poetry from Columbia College Chicago, where she studied as a Jack Kent Cooke Graduate Arts Scholar. In 2015, she read at the Poetry Foundation alongside David Trinidad as part of the Open Door Readings Series. She has received numerous awards, including first prize in the Columbia College Commencement Poetry Contest in 2015 and the Evelyn Bridges Poetry Contest in 2013. Her work has appeared in Voicemail Poems, Reality Hands, Inferior Planets, Phantom Books, Columbia Poetry Review, and Leviathan Magazine among other publications.

More Information

Author Kati Goldstein
Publisher Finishing Line Press
Release year 2017
Cover type Softcover
EAN 9781635342277
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โ‚ฌ25.01 โ‚ฌ31.26