"CTR#158 offers an extended conversation about burlesque in Canada, from archival photos and historical contextualization to the most current interpretations of what neo-burlesque can be and what it can do. The audacious urban experience of Montreal lives beside the off-the-grid exuberance of Lasqueti Island. The details of costume construction in ancouver are considered alongside legal definitions that dictate costumes in Calgary. The issue offers an in-depth exploration of Toronto's Operation Snatch, formerly The Scandelles, with two articles that chart the company's trajectory from burlesque to political cabaret, a Scandelles script, and an interview with founder Alexandra Tigchelaar. Also exclusively online, Adriana Disman has curated a dialogue among socially conscious performers using neo-burlesque for social change. Whether conveying the experience of a male burlesque performer or drawing parallels with the community-building appeal of roller derby, the authors in this issue dissect, interrogate, and expand the definitions of burlesque. "