With a half century behind him, James Goertel looks both over his shoulder and within the moment for his third collection of poetry. The result is a self portrait that is at once part cubism, part impressionism, part abstract expressionism, but one framed by the romantic and the realistic.
With a half century behind him, James Goertel looks both over his shoulder and within the moment for his third collection of poetry. The result is a self portrait that is at once part cubism, part impressionism, part abstract expressionism, but one framed by the romantic and the realistic.