SINISTER SIDE C - Hall
-20% with code BOOKS
Shipping in 17-23 days
30-day return policy
Why does the Mona Lisa have an uneven smile? Was Picasso's Demoiselles d'Avignon an exploration of Satanism? Why did Michelangelo depict so many left-handed archers? Why did the British Queen look so different when Annie Liebowitz lit her from her left side in a recent official portrait?The answer to all these questions lies in a hidden symbolic language in the visual arts: that of the perceived differences ... Full description
You May Also Like
TOP
Art Cure: The Science of How the Arts Transform Our Health
-20% with code BOOKS
In stock at our supplier
TOP
Born a Crime: Stories from a South African Childhood
-20% with code BOOKS
In stock
TOP
A Screaming Life: Into the Superunknown with Soundgarden and Beyond
-20% with code BOOKS
In stock at our supplier
TOP
Mike Joyce - The Drums: A Times Book of the Year 2025
-20% with code BOOKS
Out of stock
TOP
Little Book of Cartier: The story of the iconic jewellery brand
-20% with code BOOKS
In stock at our supplier
TOP
Amusing Ourselves to Death: Public Discourse in the Age of Show Business
-20% with code BOOKS
In stock at our supplier
TOP
Encyclopaedia Eorzea ~The World of Final Fantasy XIV~ Volume I
-20% with code BOOKS
In stock at our supplier
TOP
Encyclopaedia Eorzea ~The World of Final Fantasy XIV~ Volume II
-20% with code BOOKS
In stock at our supplier
TOP
Silver Marilyn. Marilyn Monroe und die Kamera: Photographien 1945-1962
-20% with code BOOKS
In stock at our supplier
TOP
25 leichte Etüden: für Klavier op. 100
-20% with code BOOKS
In stock at our supplier
TOP
Mega Builds: Ten Colossal Construction Projects That Will Change Our World
-20% with code BOOKS
In stock at our supplier
TOP
If I Could Write Poetry: Selected Lyrics
-20% with code BOOKS
In stock at our supplier
Description
Why does the Mona Lisa have an uneven smile? Was Picasso's Demoiselles d'Avignon an exploration of Satanism? Why did Michelangelo depict so many left-handed archers? Why did the British Queen look so different when Annie Liebowitz lit her from her left side in a recent official portrait?
The answer to all these questions lies in a hidden symbolic language in the visual arts: that of the perceived differences between the left and right sides of the body. It is a symbolism that has been interpreted by artists through the centuries, and that can be uncovered in many of our greatest masterpieces, but that has been long forgotten about or misunderstood by those concerned with the history of art and the human body. The Sinister Side reveals the key, and sheds new light on some of the greatest art from before the Renaissance to the present day.
Traditionally, in almost every culture and religion, the left side has been regarded as inferior - evil, weak, worldly, feminine - while the right is good, strong, spiritual and male. But starting in the Renaissance, this hierarchy was questioned and visualised as never before. The left side, in part because of the presence of the heart, became the side that represented authentic human feelings, especially love. By the late nineteenth century, with the rise of interest in the occult and in spiritualism, the left side had become associated with the taboo and with the unconscious. Exploring how works of art reflect our changing cultural ideas about the natural world, human nature, and the mind, James Halls'Sinister Side is the first book to detail the richness and subtlety of left-right symbolism in art, and to show how it was a catalyst for some of the greatest works of visual art from Botticelli and Van Eyck to Vermeer and Dali.