In his biting first full‐length collection in English, Tijuana poet Roberto Castillo Udiarte commiserates with Zona Norte streetwalkers, embodies the desert lizard, and maps a life lived in the dimness of the barroom — as well as its incisive light. The poems in Smooth-Talking Dog display the counterculture influence of a wide range of influences on both sides of the border, from both the page and the rock concert stage, as hilarious and tragic as they are deadly serious. Celebrating Baja California’s status outside the Mexican literary mainstream, Smooth-Talking Dog proves just how permeable the aesthetic border between the U.S. and Mexico really is.