20% off all books with the code: BOOKS
  • check 10+ million books
  • check New arrivals every day
  • check Trusted by 1M+ customers
  • check Great prices & discounts
  • check Shipping across Europe

Tonality as Drama - Latham

English
2008-08-12
โ‚ฌ61.42 โ‚ฌ76.78

-20% with code BOOKS

In stock at our supplier

Shipping in 22-28 days

30-day return policy

Whether you are "in the business," or you are a music theorist, musicologist, or simply an opera fan--read on! This is an analytical monograph by a Schenkerian music theorist, but it is also written by one performer and enthusiast for another. Tonality as Drama draws on the fields of dramaturgy, music theory, and historical musicology to answer a fundamental question regarding twentieth-century music: why d ... Full description

You May Also Like

Description

Whether you are "in the business," or you are a music theorist, musicologist, or simply an opera fan--read on! This is an analytical monograph by a Schenkerian music theorist, but it is also written by one performer and enthusiast for another. Tonality as Drama draws on the fields of dramaturgy, music theory, and historical musicology to answer a fundamental question regarding twentieth-century music: why does the use of tonality persist in opera, even after it has been abandoned in other genres? Combining the analytical approaches of the leading music and dramatic theorists of the twentieth century--Austrian music theorist Heinrich Schenker (1868-1935) and Russian director Constantin Stanislavsky (1863-1938)--Edward D. Latham reveals insights into works by Scott Joplin, George Gershwin, Kurt Weill, and Aaron Copland that are relevant to analysts, opera directors, and performers alike.

Tonality as Dramais not a textbook--rather, it is an innovative analytical study meant to inspire changes in the study and performance of tonal opera. By applying Schenker's tonal analytical technique to a small segment (early twentieth-century American opera) of a repertoire typically regarded as non-tonal (modern opera), Latham reveals a strategic use of tonality in that repertoire as a means of amplifying or undercutting the success or failure of dramatic characters. This use of "strategic tonality" is present in many of the grand operas and song cycles of the nineteenth century as well, suggesting avenues for future research.

More Information

Author Latham
Publisher University of North Texas Press
Release year 2008
Cover type Hardcover
EAN 9781574412499
Write Your Own Review
You're reviewing: Tonality as Drama
Your Rating:

Goodreads Reviews

โ‚ฌ61.42 โ‚ฌ76.78